An overview of the D60’s lens compatibility, including which lenses are right for different subjects, and how to install and remove a lens, from the Magic Lantern DVD Guide to the Nikon D60.
Nikon D60 – RAW vs. JPEG
An overview of the D60’s five different image quality options, including an explanation of RAW files and their technical pros and cons compared to JPEGs, from the Magic Lantern DVD Guide to the Nikon D60.
Nikon D80 – Controlling the Active Auto-Focus Area
Even though the Nikon D80 has three auto-focus options, Single-Area gives you the most control, as outlined in this WebTip from the Magic Lantern DVD Guide for the Nikon D80.
Nikon D80 – The Retouch Menus
There are several in-camera editing tools in the Retouch Menu, from monochrome effects to automatic Red Eye correction – and the photo is saved as a new file every time. Learn more in the Magic Lantern DVD Guide to the Nikon D80.
Canon EOS 450D Rebel XSi – Setting a Custom White Balance
There are eight different white balance settings on the XSi, but only custom white balance give you the most accurate settings, based on exactly the light under which you are currently shooting, from the Magic Lantern DVD Guide to the Canon XSi.
Canon XSi – Choosing the Right Exposure Mode
It’s one thing to enjoy the XSi’s advanced automatic shooting modes, but in order to take control of your camera, you’ve got to start shooting manually, with either shutter or aperture priority, or both in fully manual mode – from the Magic Lantern DVD Guide to the Canon XSi.
Olympus E-510 Magic Lantern DVD Guide Snippet
An overview of the E-510’s advanced playback features, including all the available histograms and shooting information, as well as the Light Box split screen feature. Excerpted from the Magic Lantern DVD Guide for the Olympus E-510. From the Magic Lantern Guide to the Olympus Evolt-510
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1. Use Continuous shooting mode at the highest frames per second (fps rate).
2. Shoot fewer images, or choose fewer images to merge to HDR.
3. Set your camera’s AEB bracketing order to Meter/Under/Over thus allowing the two images -2 and +2 to be shot back to back. Then, merge only those two images.